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Doubleflag This film is in English, but it is also available in French.
Ce film est en anglais, mais il est également disponible en version française.

The "Grand detour" - First episode (52 mn)

After leaving Grenoble on a bright Spring day, Delphine, Damien, and Buzzz, their tandem, don’t let a couple punctures and technical failures stop them from riding across the French and Spanish Pyrénées – towards Argentina, and a long and magnificent journey: headwind, cows and condors, and the Argentinian folk’s marvelous hospitality! Suffering is then on their plate when they reach and climb Bolivian Hell: the Lipez Range; by luck they meet the only family surviving up there. After weeks of struggle they reach the beautiful “Salar de Uyuni”, the biggest and highest salt falt in the world...

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Other English films

Nude model in summer ligth
Penelope Milner painted a portrait of her model Camille, during three hot summer afternoons

Nude model in summer ligth

With Penelope MILNER, English Master Pastelist.

In her house in Lot, Penelope Milner, an English artist from the Société des Pastellistes de France, painted a portrait of her model Camille, during three hot summer afternoons

Portrait of charactere
Master Pastelist Ken Paine, from the Société des Pastellistes de France, paints two portraits of a famous artist's model, in the filmaker's studio.

Portrait of charactere

With Ken Paine, English Pastellist Master

Master Pastelist Ken Paine, from the Société des Pastellistes de France, paints two portraits of a famous artist's model, in the filmaker's studio.

On The Tracks Of The Honey Ant Dreaming - Sur les traces de la Fourmi à Miel
Where I comme from in France, I saw a painting : thé Dreaming of thé Honey Ant...

On The Tracks Of The Honey Ant Dreaming - Sur les traces de la Fourmi à Miel

Where I comme from in France, I saw a painting : the Dreaming of the Honey Ant. In this Dreaming there are some dots, some crescents, some lines... There is no particular way to look at them. I am overwhelmed but I don’t know why.

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